Lettering — Trine Rask & the letters

»To use the traditional emblem in a modern, digital context we designed a more simple version referencing the existing by the frame & the proportions of the letters; here seen on a picture from Nyhavns Færgekro«

Tholstrup

Karen

Custom typeface

»Restoration is often a challenge that takes both knowledge, craft & imagination. If you do not have the complete original, it is damaged or maybe has been changed, you have to find a way to bring it back«

Alfred

»The big difference between lettering and type design is the context. In lettering you know exactly what will be next to the letter you are drawing or you know that the letter will stand alone. For Noa Elevate we knew that the letters will be mixed

NoAElevate

Wordbits

Custom typeface

Forening for Boghaandværk

Lettering

»Reconstruction or inspiration? Could and should we base a new identity on the signature of the founder?«

Betty Nansen

Lettering

»Revision, alteration, optimization… When a visual identity is updated, the logotype is also a part of that, it can be aesthetic reasons or the change of technical requirements«

Ramirent

Lettering

Actionrail

Lettering

WeFRB

Lettering